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  • The Life of Cycle – Urban Cyclists in Berlin from Gestalten on Vimeo.

    Beyond the messenger and fixed-gear scenes, contemporary bicycle culture is more fashionable, diverse, and alive than ever before. According to Dustin Nordhus of Berlin’s Cicli Berlinetta, “people who live in a big city are becoming aware that it’s nicer to have a beautiful bicycle than a car.” Gestalten.tv talks to Dustin as well as bike enthusiast Anna Valtonen from Pelago Bicycles, who are featured in Velo–2nd Gear. Along with presenting their stories and their outstanding and unconventional bicycles, the video shares different perspectives on why, according to Standert’s Max von Senger, the bicycle is evolving into “an object of desire for everyone.”

    Related Book shop.gestalten.com/velo-2.html

    • 1 day ago
  • American Tintype from Matt Morris Films on Vimeo.

    After a personal tragedy, Harry Taylor discovered a passion for the 150-year-old craft of tintype photography.

    MattMorrisFilms[at]gmail.com
    MattMorrisFilms.com
    facebook.com/MattMorrisFilms
    twitter.com/MattMorrisFilms

    Directed, Produced, Shot, and Edited by Matt Morris | Featuring Harry Taylor | Executive Producers David Ford, Stu Pollard, and Mary Pergola Parent | Composer Hanan Townshend | Music Engineer Kelly Donnelly | Musicians Hanan Townshend, James Gradone | Production Sound Benedict R. Fancy | Sound Editor Casey Langfelder | Sound Mixer Scott R. Lewis | Colorist Andrew Francis | D.I. Producer Mike Dillon | D.I. Assistant Producer Brandie Konopasek | Title Design Kaya Thomas |

    EFILM Digital Laboratories
    Method Design
    Skywalker Sound

    Soundtrack available here: hanantownshend.bandcamp.com/track/american-tintype-original-soundtrack

    • 2 weeks ago
  • BÖIKZMÖIND - A Fixed Gear Bike is… from BÖIKZMÖIND on Vimeo.

    BÖIKZMÖIND is a 30 minute documentary film about riding fixed gear bikes in beautiful Bristol. The film shows the diverse cross section of riders and asks why ride bikes with no gears in a city full of hills. It also shines a light on the community and camaraderie that comes with the simple joy of riding bicycles.

    This is an small excerpt from the finished film, which is now screening all over the world (boikzmoind.com/#screenings). If there’s not a screening near you then get in touch, more than happy for the film to be seen all over the world!

    The DVD version which will be accompanied by a photo book is in the works right now, and you can sign up to register your interest here: boikzmoind.com/#preorder

    The music is ‘Backwell’ by Beak>. All the music in the film is curated by Redg Weeks of Invada Records (invada.co.uk). Invada Records is the Bristol-based label set-up by Portishead’s Geoff Barrow in 2003, serving as a home for a diverse roster of artists from Thought Forms to Gonga.

    boikzmoind.com ● facebook.com/BOIKZMOIND ● twitter.com/BOIKZMOIND

    • 1 month ago
  • The Man Who Cares from Soigneur on Vimeo.

    Director: Sven Prince
    DOP: Nanko Goeting
    Sound: Henk-Jelle de Groot
    Production: Detlef Prince
    Production assistance: Femke Hoogland
    Editor: Jorrit Spoelstra
    Grading: Jorrit Spoelstra @ Photo Booth Works
    Sound design: Henk-Jelle de Groot @ Any Colour You Like

    Produced by collectief vermogen

    Special thanks to - Garry Beckett, Frans van Rheenen, Six Day Management, Camera Rentals Amsterdam

    Filmed on 16mm at the Six of Rotterdam

    • 1 month ago
  • The Camera (short film / original score) from Peter Lewis on Vimeo.

    In an abandoned beach house, a solitary girl finds a mysterious camera that reveals something unexpected.

    ————————————

    “Perfect in its simplicity, beautiful and haunting in its visuals, The Camera is a reminder that a great film is in everyone’s grasp, as long as he/she has the creative capacity and appropriate willpower to drop pretension, and quite simply, make something.” —Short of the Week

    “From its delicate shot composition to an emotionally stirring score, Peter Lewis‘s The Camera is a crash course in great filmmaking.” —Film School Rejects Short Film of the Day

    “A compelling example of what’s possible when perseverance and resourcefulness meet.” —DirectorsNotes.com

    “Awesome … ‘The Camera’ proves that beautiful movies can be made simply and makes you want to get out and make your own!” —Mitch Aunger, planet5D

    “Haunting” —FStoppers.com

    ————————————

    Facebook Page (in progress): facebook.com/TheCameraShortFilm

    Aside from a few unfinished running-around-in-the-woods-with-guns experiments from my early teens, this is my first film. I made it because I love all the different aspects of filmmaking, because I was tired of my fear of failure, and because I wanted to see what would happen if I just finished one. Maybe this will lead to bigger and better films; maybe not. Either way I learned something.

    The story was largely born from its constraints. It had to be doable in my free time, and I had to be able to shoot it during my vacation in Nags Head, NC—with a budget of only $50, to cover the props (I’d previously owned the Canon T2i, lenses, and Logic Pro, and used the free 30-day trial of FCPX). I wanted it to be a simple story with a mysterious twist or two.

    I got lots of advice from fellow filmmakers—Andrew, Mitchell, Kyle, Brian, Shepherd, Drew, David, and others. If you like the film, thank you Andrew, Mitchell, Kyle, Brian, Shepherd, Drew, and David. If you thought it was rubbish, they only tried to make it better than it was. And thanks again to Abbie and Gabe, without whose talents I couldn’t have made it.

    Some have asked about Emily; the film wasn’t written about her (she passed away while it was in post-production), but she was a dear friend of my family and many others, and it was an honor to dedicate it to her memory.

    Many of you know far more about filmmaking than I do, so please feel free to offer any critique.

    The Lights Film School blog interviewed me about the making of the film and overcoming fear of failure: lightsfilmschool.com/blog/short-film-canon-t2i-low-budget/1780/

    FILM FESTIVALS
    - DC Shorts Film Festival
    - Surrey International Film Festival
    - Winner, Best of Fest, Fandana Film Festival
    - Festival du Film de Vacances
    - Low Country Indie Shorts
    - Choice Cuts (London)
    - Write.Shoot.Cut
    - MudasFest

    FEATURED
    - Short of the Week
    - planet5D blog
    - Digital Convergence podcast (digitalfilm.tv/blog/2012/4/26/digital-convergence-podcast-episode-70-imagine-creativity-on.html)
    - PetaPixel blog
    - Impossible Project blog
    - FSTOPPERS blog
    - Film School Rejects Short Film of the Day
    - Directors Notes blog
    - Making the Movie blog
    - Charlotte Viewpoint front page
    - The Veda House blog
    - Movie Playoffs Favorite Shorts
    - New American Storytellers Screening Room
    - WriteShootCut blog
    - Independent Filmmakers Channel
    - 01SHORTFILM Channel
    - 200+ additional blogs

    ————————————

    Director / DP / Editor / Composer / Colorist / Sound Designer / Foley: Peter Lewis
    Girl: Abbie Lewis
    Boy: Gabe Lewis

    ————————————

    Camera: Canon Rebel EOS 550D T2i
    Lenses: Canon 50mm 1.4, Tamron 28-200mm
    Editing / Color Grading: Final Cut Pro X
    Sound Design / Foley / Original Score: Logic Pro 9
    Polaroid film: The Impossible Project

    ————————————

    Follow me on twitter: @thispeterlewis

    • 2 months ago
  • My Recurring Dream from André Chocron // Frokost Film on Vimeo.

    FROKOST FILM / FEIL FILM

    Director: André Chocron
    Producer: Andrea Ottmar

    Music by // COLD MAILMAN

    iTunes: smarturl.it/MRD_iTunes
    Spotify: smarturl.it/MRD_Spotify

    In association with: Norsk Filminstitutt & Fond for lyd og bilde
    Co-producer: Motion Blur / Espen Horn
    Executive producer: Ravn Wikhaug

    Director of Photography: Audun Gjelsvik Magnæs
    Production design: Kaja Raastad
    Production manager: Martin Alslie
    Coordinator: Marte Øslebø Knutsen
    First assistant director: Karoline Husjord / Lars Klevberg
    Digital technitian/first assistant camera: Lasse Selvli
    First assistant camera: August Sanengen
    Gaffer: Benjamin Mosli, Stian Thilert, Jon-André Hakvåg, Christian Koblizek, Haakon Laastad, Daniel Atkinson, Chris Karlstad
    Steadicam operator: Stian Olberg
    Grip: Erling Andreasen, Andreas Nesse, Jim Nielsen, Christian Hermstad, Morten Magnussen
    Make up artist: Christine Varden, Rita Dalsbø, Kajin Ali
    Costume: Vilde Søyland, Nell Knudsen, Ida Rydeng
    SFX: Fiksern/Gunnar Brøntveit
    Under water photography: Amund Lie
    Production assistants: Aurora Ottmar, Erik Bergamini, Pernille Egebjerg, Oda Svendsby, Elisabeth Skatvedt, Helene Linnea Kvale, Karl Tjensvoll, Even Garvang, Karoline Sletteng, Henrik Zwart

    Post production producer: Espen Skjetne / Shortcut Norge
    Colorist: Julien Alary / Shortcut Norge
    VFX: Mads Hornsletten / Øyedrops

    Thanks to:
    ALL extras, Åse Meyer, Ingrid Festøy Ottesen, Raymond Gangstad, Joel Bringmark, Khalid Maimouni, Thomas Lund, Morten Nielsen, Anne Sandberg, Drammensbadet, Ullevål Sykehus, Huseby skole, Krøderbanen, Fet lakk og karosseri, Kjetil Astrup, Terje Røkke, Morten Magnussen, Lukasz Durlej, Morten Skallerud, Anne Berentsen, Tom Ottmar, David Chocron, Emilie Christensen

    If you enjoyed this film and want to see more stuff like it in the future, please consider leaving a small tip in the jar! Every small contribution will help fund our future projects.

    frokostfilm.no
    coldmailman.com

    • 3 months ago
  • L A P S E S from Diego Arambillet on Vimeo.

    :
    Images which become memories which become LIFE, every second counts to feel alive. My future starts now.
    :
    Filmed and Edited by Diego Arambillet / diegoarambillet.com
    Follow me on FB: facebook.com/diego.arambillet.pro
    :
    Music: Balmorhea ‘Dived’
    itunes.apple.com/us/album/days/id560197264?i=560197267
    :

    • 3 months ago
  • Return of the Sun from Glen Milner on Vimeo.

    ‘Return of the Sun’ is a portrait of a modern Inuit family. Set against the fearsome North Greenland landscape, the film follows a fisherman and his son as their lives are forced to adapt with the Arctic environment.

    Shot, directed & edited by Glen Milner & Ben Hilton
    (Twitter: @glen_milner @mrbenhilton )

    NOMINATED FOR THE STERLING AWARD - AFI SILVERDOCS 2012
    NOMINATED FOR SHORT FILM OF THE YEAR - LEEDS INTERNATIONAL FILM FESTIVAL 2012
    NOMINATED BEST SHORT DOCUMENTARY - CAMDEN FILM FESTIVAL 2012 (U.S)
    OFFICIAL SELECTION LONDON SHORT FILM FESTIVAL 2013
    OFFICIAL SELECTION AESTHETICA SHORT FILM FESTIVAL 2012

    • 3 months ago
  • kava su IQ_Rytis Zemkauskas from Intelligent Media on Vimeo.

    R. Zemkauskas – utopinių idėjų autorius

    Dėl savo idėjų žurnalistas, televizijos laidų vedėjas Rytis Zemkauskas visada pasiryžęs nueiti viena mylia daugiau. Apie nežinią dėl ateities, savo svajonių televiziją ir kultūros bei verslo akistatą R. Zemkauskas kalbėjosi su IQ kultūros apžvalgininke Ieva Rekštyte.

    • 5 months ago
  • NAIVE - CURING from NAIVE on Vimeo.

    An all 3D commercial made for GE by Acne/TBWA.

    Client: General Electric China
    Agency: ACNE production for TBWA
    Director: Andreas Öhman
    Project Manager: Lotta Grahn

    CG-supervisor: Linus Kullman
    Modeling: Anders Törnqvist & Steve Woodruff
    Lookdev & Rendering: Anders Törnqvist & Linus Kullman
    Animation & Rig: Janak Thakker & Anders Freij
    Storyboard: Emil Maxén
    Compositing: David Nalci
    Grading: Oskar Gullstrand

    Sound: redpipe.se

    • 5 months ago
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